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Greatest Films Ever Made
Persona
Streetmusician



Meow wrote:
Some Like it Hot is so good.


Have you seen 12 Angry Men?
I saw it about 10 years ago! I enjoyed it then. I really need to give it another watch.
Persona
Streetmusician



49. 

Title: The Battle of Algiers 

Director: Gillo Pontecorvo

Date: 1966

Plot: In the 1950s, fear and violence escalate as the people of Algiers fight for independence from the French government.

Fun fact: In 2003, the New York Times reported that the Pentagon screened this film for officers and civilian experts who were discussing the challenges faced by the US military forces in Iraq. The flier inviting guests to the screening read: "How to win a battle against terrorism and lose the war of ideas".
Persona
Streetmusician



50. 

Title: City Lights

Director: Charles Chaplin

DateL 1931

Plot: With the aid of a wealthy erratic tippler, a dewy-eyed tramp who has fallen in love with a sightless flower girl accumulates money to be able to help her medically.

Fun fact: Orson Welles said that this was his favorite movie of all time.
Persona
Streetmusician



51. 

Title: Ugetsu Monogatri 

Director: Kenji Mizoguchi

Date: 1953

Plot: A tale of ambition, family, love, and war set in the midst of the Japanese Civil Wars of the sixteenth century.

Fun fact: The films original title, Ugetsu Monogatari, roughly translates to "Tales of the Moon and Rain."
Persona
Streetmusician



52. 

Title: La Jetee

Director: Chris Marker (extra fun fact: Chris Marker is my bf's favourite director. i'm sure u all care lol)

Date: 1962

Plot: The story of a man forced to explore his memories in the wake of World War III's devastation, told through still images.

Fun fact: This short film was the inspiration for the Terry Gilliam film Twelve Monkeys (1995).
Persona
Streetmusician



53. 

Title: North by Northwest

Director: Alfred Hitchcock

Date: 1959

Plot: A hapless New York advertising executive is mistaken for a government agent by a group of foreign spies, and is pursued across the country while he looks for a way to survive.

Fun fact: While on location at Mt. Rushmore, Eva Marie Saint discovered that Cary Grant would charge fans 15 cents for an autograph.
Persona
Streetmusician



54. 

Title: Rear Window

Director: Alfred Hitchcock

Date: 1954

Plot: A wheelchair-bound photographer spies on his neighbours from his apartment window and becomes convinced one of them has committed murder.

Fun fact: The only film in which Grace Kelly is seen with a cigarette. She refused to smoke in films, except this once.
Persona
Streetmusician



55. 

Tite: Raging Bull

Director: Martin Scorsese

Date: 1980

Plot: An emotionally self-destructive boxer's journey through life, as the violence and temper that leads him to the top in the ring destroys his life outside it.

Fun fact: When the real Jake LaMotta saw the movie, he said it made him realize for the first time what a terrible person he had been. He asked the real Vicki LaMotta "Was I really like that?". Vicki replied "You were worse."
Persona
Streetmusician



56. 

Title: M

Director: Fritz Lang

Date: 1931

Plot: When the police in a German city are unable to catch a child-murderer, other criminals join in the manhunt.

Fun fact: Fritz Lang asserted that he cast real criminals for the court scene in the end. According to biographer Paul Jensen, 24 cast members were arrested during filming.
Persona
Streetmusician



57. 

Title: The Leopard

Director: Luchino Visconti

Date: 1963

Plot: The Prince of Salina, a noble aristocrat of impeccable integrity, tries to preserve his family and class amid the tumultuous social upheavals of 1860's Sicily.

Fun fact: Luchino Visconti wanted Laurence Olivier for the title role but his producers insisted on a movie star with clout at the box office and thus, Burt Lancaster was cast.
Persona
Streetmusician



58. 

Title: Touch of Evil

Director: Orson Welles

Date: 1958

Plot: A stark, perverse story of murder, kidnapping, and police corruption in a Mexican border town.

Fun fact: Orson Welles initially despised the title "Touch of Evil", having had nothing to do with its conception. Over the years, however, he grew to like it, and eventually considered it the best title out of all his films.
Persona
Streetmusician



59. 

Title: Sherlock Jr

Director: Buster Keaton

Date: 1924

Plot: A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

Fun fact: Buster Keaton practiced for four months, working with a pool expert, to learn all the trick shots that Sherlock Jr. performs during the pool game. Nevertheless, it took him five days to film all the trick shots, and get them right. When he was finished, all the best trick shots he had filmed were cut together to make it look like Sherlock Jr. was playing one continuous game of pool.
Persona
Streetmusician



60. 

Title: Barry Lyndon

Director: Stanley Kubrick

Date: 1975

Plot: An Irish rogue wins the heart of a rich widow and assumes her dead husband's aristocratic position in 18th-century England.

Fun fact: Many of the shots were composed and filmed in order to evoke certain 18th-century paintings, especially those by Thomas Gainsborough.
Persona
Streetmusician



61. 

Title: The Mother and the Whore

Director: Jean Eustache

Date: 1973

Plot: In Paris, the pedantic Alexandre lives with his mate Marie in her apartment, an open relationship.

Fun fact: This film is based on the real-life relationship between director Jean Eustache and actress Francoise Lebrun (who plays Veronika).
Persona
Streetmusician



62. 

Title: Sansho The Bailiff

Director: Kenji Mizoguchi

Date: 1954

Plot: In medieval Japan, a compassionate governor is sent into exile. His wife and children try to join him, but are separated, and the children grow up amid suffering and oppression.

Fun fact: This film, like several films by director Kenji Mizoguchi from this period, was widely praised in both Japan and the West for its smoothly flowing camera work. But these camera movements were, in fact, planned and blocked by his great cameraman, Kazuo Miyagawa, rather than by the director, who gave Miyagawa free rein in his use of the camera.
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