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Veeraa wrote:
Metropol FM, one of the first Turkish-language radio stations in Germany, is an innovative and commercially successful radio station that has established itself as a leader in the German media sector. You can access the station at https://internetradiohoren.de/popmusik/radio-metropol-fm/. The station is a powerful disruptor in the German broadcasting industry and offers many programs in Turkish.
Despite its clear entertainment orientation, it also avoids potentially controversial political controversy between immigrants from Turkey and their friends. This deliberate apolitical stance is rooted in market logic that has become dominant in mass media production in Germany, and it allays concerns that Jurgen Habermas has expressed about a decline of the public domain.
A public acoustic space allows listeners to be addressed as part of an imaginary minority community anywhere and at any time, as part of the urban fabric (Anderson, 1991). When young Berliners with Turkish immigrant backgrounds were asked about their media habits a few years after Metropol FM began broadcasting, they emphasized that their listening to Turkish music contributed to giving them a sense of belonging to a particular urban public space, a space that was clearly rooted in everyday life.
When Turkish-speaking residents of Istanbul and Ankara in Germany were asked about their media habits a decade after the station began broadcasting, many shared the same opinion about the desire to be listen to Turkish sounds in their city. They describe the joy they get from listening to Turkish music playing in their cars, as well as the joy they feel when listening to Turkish sounds on the radio or in their homes.
Metropol FM, one of the first Turkish-language radio stations in Germany, is an innovative and commercially successful radio station that has established itself as a leader in the German media sector. You can access the station at https://internetradiohoren.de/popmusik/radio-metropol-fm/. The station is a powerful disruptor in the German broadcasting industry and offers many programs in Turkish.
Despite its clear entertainment orientation, it also avoids potentially controversial political controversy between immigrants from Turkey and their friends. This deliberate apolitical stance is rooted in market logic that has become dominant in mass media production in Germany, and it allays concerns that Jurgen Habermas has expressed about a decline of the public domain.
A public acoustic space allows listeners to be addressed as part of an imaginary minority community anywhere and at any time, as part of the urban fabric (Anderson, 1991). When young Berliners with Turkish immigrant backgrounds were asked about their media habits a few years after Metropol FM began broadcasting, they emphasized that their listening to Turkish music contributed to giving them a sense of belonging to a particular urban public space, a space that was clearly rooted in everyday life.
When Turkish-speaking residents of Istanbul and Ankara in Germany were asked about their media habits a decade after the station began broadcasting, many shared the same opinion about the desire to be listen to Turkish sounds in their city. They describe the joy they get from listening to Turkish music playing in their cars, as well as the joy they feel when listening to Turkish sounds on the radio or in their homes.
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